Till the thin lady sings…

One of my favorite opera singers is the mezzo-soprano Cecilia Bartoli. I discovered her work in college and I used to take naps to her CD, A Portrait, on a daily basis.

I loved her voice, her look, her masses of dark curls, her effortless coloratura whether singing Handel or Mozart. I am a mezzo too and I would sing along, no doubt getting dirty looks from all the people I passed in my car.

Here is a video of her singing Caro Mio Ben to give you just a taste of her sublimity.

The top comment on this video:

before i heard her sing i thought she was a plain chunky Italian chick
now when i look at her i see the most perfect example of femininity on earth [sic]

And thus we reach the topic of this post. Opera, one of the few performance arts where you ought to be judged for your recitative and not your waist size, has succumbed to popular pressure.

I was listening to Cecilia’s new album, Sospiri (which means “sighs” in Italian), released in 2010. I squinted at the tiny album cover in the corner of my screen and then blew it up to full size.

Notice any difference between that picture and this, also taken in 2010?

The album cover is heavily Photoshopped, to make her appear thinner. Now this could have been a change Ms. Bartoli herself requested. Who doesn’t want to look as beautiful as possible in their promotional photos?

But it has become so common now it doesn’t even raise any eyebrows or notice. I was sure I was not the only one who saw this, but I searched Google in vain for any reference to the classical community being annoyed at one of their grande dames being visually liposuctioned for the masses.

Never mind that I loved Cecilia as she was (and truly is). Curvy and hippy and womanly and lush. Such photographs do a disservice to her as an artist. Yet, Cecilia Bartoli is currently #7 on  Hottest Female Classical Musicians. Is that for who she really is and how she really looks or how she is portrayed in images for her recordings, which sell quite well? And what does “hot” have to do with opera anyhow?

Weight and opera have always had an uneasy partnership. Beauty does sell tickets. Modern opera requires their leads to be both svelte and vocally acrobatic. More than one diva has been fired due to weight issues. Opera stars must be sexy and apparently that also equals skinny.

When Maria Callas lost all her weight, many people believe she lost the vocal quality that made her so memorable. Renee Fleming, another famous soprano, said of Callas’ transformation: “It’s not the weight loss per se… But if one uses the weight for support, and then it’s suddenly gone and one doesn’t develop another musculature for support, it can be very hard on the voice. And you can’t estimate the toll that emotional turmoil will take as well.”

Conversely, many believe that Callas didn’t become the mega-star that she was -until- she lost all the weight, even though her voice changed.

I am more sensitive to this because opera is one of the few places you can still find curvy and buxom beauties. They open their mouth and the heavens open.

Let it be about the music, not the number on the scale.

Something to consider:

If you had a voice of fire, would you trade it for beauty?

Annasongs: Less than a Latte

To stave off the inevitable post-writing contest letdown, I have decided to let you in on a little secret.

I sing.

Most people don’t know this, despite me spelling out quite clearly that one of the prizes for #btcurtain is Veil & Subdue, a Gothic operatic project. Check it out here: www.veilandsubdue.com

Not only do I sing, I sing compulsively. I sing in the car, on the street, at my desk, on the beach.

 

Here’s me singing onstage!

It recently occurred to me that all this singing, which I do anyway, could be turned to good use (like my tiny Honeymoon fund).

Then I discovered Fiverr.com. For those unfamiliar, it allows people to offer any small service for only five dollars.

Well, I decided I could do a song. Or several. So I designed a couple of gigs (Fiverr term for jobs).

For only five dollars,

1) I will record a classic jazz song for your loved one

2) I will record a traditional/folk song for your loved one

3) I will record a special occasion song for your loved one

Although I say it is for your loved one, I certainly would be willing to record a song just for you! And only five dollars! 

 I’d love to hear some other ideas for gigs in the comments.

Some of the ones I have planned are: I will record a poem reading for you, I will record a lullaby for you.

Not all of them have to be recordings, but I do love using my voice to read or sing.

My friend Paul (@paulramey), co-conspirator in Veil & Subdue, bust out laughing when I told him. He said, “You’re cheaper than a latte!”

“Cheap” is such a scrungy word; let’s be gracious and say “less”.

Annasongs: Less than a Latte

Don’t you need an Annasong today?

Music Review: Handmade by Hindi Zahra

Article first published as Music Review: Hindi Zahra – Handmade on Blogcritics.

Most people would say four or five focused listens would probably be sufficient to write an album’s review. As far as Hindi Zahra’s Handmade (Naïve Records), I passed that threshold weeks ago. I can’t stop listening to it. I keep it in my car; no matter where I go, I find a song which speaks to my mood. To date this is easily my favorite album this year, at once sophisticated, exotic and evocative.

Though she would likely be categorized under “World Music,” Zahra fuses musical cultures freely to create her own sounds. A Berber girl born in Morocco, she takes her own musical heritage and seamlessly integrates it with blues, jazz and gypsy, among countless other influences.

As a breakthrough album, Handmade is nothing short of astonishing. Zahra wrote the songs, played instruments, sang and self-produced with a restrained hand. Each track offers slightly different tones and shades, like a rainbow scarf slipping through your hands.

“Beautiful Tango” makes you want to dance barefoot, a swirl of silk tied on, arms jangling with a hundred bracelets — rather like Hindi Zahra: “Come speak the secret words in Spanish / Where the night turns out the light of day for us to show some courage,” she croons, against a backdrop of hand-claps and hand drums.

You should listen to “Fascination” in the car with the window down, wrist swimming against the wind. Listening to her pronunciations is a pleasure; she says “sou-ven-ir,” reminding you of the word’s French origin. “Set Me Free” feels like a modern update of The Supremes’ “You Keep Me Hangin’ On”: “Come on and break those chains / and leave me alone baby / ‘Cause you don’t know how to give me good love / And mine is never enough.”

“Imik Si Mik” has a faint Paris Combo flavor and is so upbeat that you can’t help but bounce along, despite the faint melancholy of its lyrics. With its chill and dreamy vibe, “Kiss & Thrills” is mesmerizing. I don’t so much as listen to this song as I do feel it, and it’s jolting when it ends.

At first I thought the live set offered at the end of Handmade might strike me as a little redundant, as several of its songs are repeated. I was completely wrong. In this unplugged context she reinvents the studio versions, stripping out the production to offer more old-school interpretations.

Zahra quite possibly is the love child of Edith Piaf and Josephine Baker, alternatively warm and then cool, her voice ululating with suppleness. If Casablanca was remade (as problematic as that would be), I’d instantly want her cast as a torch singer in Sam’s Place. I want to hear her cover all the War-era tunes, starting with “Bei Mir Bist du Schoen.” Another standout is “Don’t Forget,” rendered in the style of Doris Day or Billie Holiday.

I spend a lot of time listening to music from past eras, and so I was slow to realize the uniqueness of the sound this young musician creates. In comparison with much of today’s frenetic, auto-tuned beats, Hindi Zahra’s music feels relievingly classic, like dipping into a pool of fresh, cool water.

Handmade was heralded as one of the most anticipated albums of the fall by New York Magazine. Do yourself a big favor and purchase this album. Share it with your friends; they’ll think you’ve been clairvoyant once Zahra achieves the massive commercial success she deserves.

Handmade will be available on Amazon.com as a digital download on September 26. Visit Hindi Zahra’s official website and YouTube channel for more information.