A Tribute to My Muse

Tonight, I think of my Muse.

When I first saw her in the gallery, I was startled; she was so…throat-catchingly beautiful. I had seen photographs, but nothing had prepared me for the sight. It was like being struck. I was walking and I had to stop. I felt a tear slip down my cheek. She was me and yet not me. She was the me I wanted to be – serene, graceful, and entirely still…poised for the next moment.

I told myself for weeks that I couldn’t have her and grew more and more miserable as she continued to sell, moved to grace the homes and lives of others. So few and slipping away. I looked at the massive price on her and thought it a bargain, knew I would pay twice that (I, who could not afford once that).

Still, I didn’t allow myself even to hope. Every time I passed her in the gallery, I stroked a cool bronze cheek, traced the fine grooves of her hair. It became a running joke how I would hug her as I walked by. It was irresistible; I couldn’t help it. I was in love. I was Pygmalion, with a Galatea that did not have to become real to be loved, but who would very shortly not even be within sight.

And then only two weeks later, in Paris of all places (because all beautiful and solemn events happen in Paris), I am walking down the Boulevard de Picpus with my father on a sunny late June morning. We walk aimlessly, stroll past the boulangerie, the patisserie, fish and croissants and fruit so lush and gorgeous that you want to stop and take a picture of it. I spoke effusively of my Muse, for I already thought of her as “my” sculpture…for twenty minutes. When I finally paused to take a breath, my father turned to me and said, “Well, then I think you should get it.”

Words are words, but my father is good for his word. He did not buy it for me, nor would I have wanted him to do so. Instead, he helped me get the financing, allowed me to acquire her for my own. My parents have always encouraged me to believe in the impossible, to find ways to accomplish that which I never would think I could do.

Already, she inspires me. I think of her and become radiant.

Hurry, Muse.

 
Theatre
Frederick Hart
Bronze

The purpose of my art is to seek beauty and truth, and to explore and glorify the human being and the universe.
Frederick Hart
[Repost from 6/29/06 -ed]

Absence of My Muse

Honestly, I didn’t think I was doing so little on my blog until I looked at the post listings and realized I had -one- post for August so far, on the 6th. At my best, I was averaging a post every day and a half. To go a week with only one…

There’s a multitude of reasons, but they may all point to the same thing. My darn Muse has departed for climes less balmy. (It has been agitatingly, soul-sucking hot for the last few weeks: the kind of heat that leaves you languidly lolling about on the veranda, fanning yourself limpidly as the linen sticks to your back.) So my Muse has left for a quick jaunt around the countryside and I am left here staring at my computer screen with the following options: 1) watch an episode of The Tudors, 2) read any of the stack of lovely new books on my bedside table, 3) play Plants vs. Zombies, that blessed time-suck.


It isn’t from lack of time off (just finished 3 days off, which may be one culprit). I have lots of projects vying for my attention: Super Secret Spy Girl, rehearsals for The Laramie Project, Blogcritic reviews, etc, etc.

My brain is a bit parched and it has nothing to do with the heat. It’s rather too many wonderful ideas crowding in, trying to fight their way to the fore; it’s not so much time management as it is time muddlement.

Thalia, Muse of Comedy

So today I present the Muses, since mine is not present: Clio (History), Calliope (Epic Poetry), Urania (Astronomy), Euterpe (Song & Elegiac Poetry), Erato (Love Poetry), Melpomene (Tragedy), Thalia (Comedy), Terpsichore (Dance), Polyhymnia (Hymns). Not to be confused with the Graces, the Muses were a little more workaday and useful. Nine muses, nine arts, all the root of the word “museum” and “amuse” and “musing” and other muse-like words.

“Sing to me of the man, Muse, the man of twists and turns
driven time and again off course, once he had plundered
the hallowed heights of Troy.” – Homer
Oliver Rhys, A Seated Muse

Ever noticed that Muses tend to be young, beautiful ladies? Fickle as well, apparently. That comes with Muse-hood. I’m fairly certain that my Muse tends to the plainer side, with milkish skin, but can look otherworldly at the right angle. She definitely has freckles and likely a penchant for ribbons.

Jan Vermeer, The Allegory of Painting (Detail – Clio)

Muses are generally invoked at the beginning of epic poetry, a convention followed by writers for centuries:

O lady myn, that called art Cleo,
Thow be my speed fro this forth, and my Muse,
To ryme wel this book til I haue do;
Me nedeth here noon othere art to vse.
ffor-whi to euery louere I me excuse
That of no sentement I this endite,
But out of Latyn in my tonge it write. – Chaucer

Muses are also a convenient scapegoat, as I illustrated at the beginning of the post. No writing? No muse. No performing? No muse. No singing? No muse. It’s even more dangerous when flesh and blood women are elevated to Muse status, as in Jane Morris for Dante Gabriel Rossetti of the Pre-Raphaelites.

Jane’s marriage to William Morris was jeopardized by her affairs with Rossetti, who married his other muse, Elizabeth Siddal (who later overdosed on laudanum). Read more in Francine Prose’s excellent study of real-life muses: Lives of the Muses.

Dante Gabriel Rossetti, The Blue Silk Dress (Model: Jane Morris)
Jane Morris (photo) and Jane (painting) – Pre-Raphaelite Sisterhood

So, Muse, any time you would like to return…you know where my door can be found. What do you do to invoke your muse? And what do you do when she does not appear?