Tag: Cynthia Cusick

Gratitude: a Retrospective, 2011

This year is waning fast, so I wanted to reflect a moment and try and find some final thoughts before the book is closed on 2011.

Like most years, 2011 was a year of bitter and sweet. It had its tragi-comical moments, but ultimately I find it a year that was full of creativity. What more can I ask than that?

* In 2011, I developed this blog. My father suggested several times that I write a blog, but my first attempt was lame and half-hearted, because I didn’t know how to write the blog I wanted to read. This time around, I visualized it better. I wanted a place on the internet with beautiful music and art, one with interviews of people I was curious about, a tiny spot of serenity where true hearts could feel at home.

Arthur Rackham, Feeling Very Undancey

I wanted a blog of unabashed romanticism, one that celebrated the beauty in the world, one that put words to the yearning that all lost souls feel in this increasingly mechanized and digitized world. I hoped these people would find my little watering hole. And they did. Because of my blog, I got to interview such kindred spirits as writer Sarah J. Stevenson, writer/artist Paul Ramey, poetess Shaista Tayabali, writer/marketing guru Frances Figart, humorist Gordon McCleary, writer Alissa Libby, sculptor Cynthia Cusick and musician Ananda. If you have not read the 3QV’s of these amazing people, please go do so. They make the world a more beautiful place.

You can also see our Facebook page or enjoy our whimsical bits and bobs on Tumblr.


* I started writing for Blogcritics.org, which has gotten me published in the Seattle Post-Intelligencer regularly (such as my Elegy for Amy Winehouse), as well as giving me opportunities to interact with such luminaries as Neil Gaiman.

* I gained and lost pets. My sweet Pippa ran away, scared off by feral raccoons. I thought I found her again, but instead it was Sephi, her doppelganger (Read more: Little Cat Feet). I found Sephi a good home. My dear old boy Ramses is staying with my friend Paul for the moment, because I know he is having a happier life there.

As well, we lost Salvador this year, my dearest kindred spirit in canine form. (Read more: Remembering Salvador). There can be no replacing of animals like these. All you can do is bid them adieu and marvel at the fact that the universe sent them to you at all. Paul Ramey wrote and illustrated Zen Salvador, a beautiful tribute to Salvador that all animal lovers would enjoy, and the proceeds benefit the Jacksonville Humane Society.

* I discovered Twitter. I am embarrassed to admit my social media snobbery and it’s all Sarah J. Stevenson’s fault (@aquafortis)! On Twitter, I discovered a whole interlinked community of artists and writers that I would never encounter on Facebook because they would not be in my circle of acquaintances. I couldn’t possibly list all of my favorite Tweeters, so instead I did a Wordle of you all. Click to make larger.
Wordle: Favorite Tweeters 2011

* In a related note, I also attempted National Novel Writer’s Month (NaNoWriMo) this year. After years of forgetting about it till Thanksgiving (oops!), I finally committed to doing it…as though life in November weren’t exciting enough with a retail management job. I did not win it, but I did write 20,000 words on a new manuscript that super excites me. That itself is a major win. I don’t believe I’ve written 20,000 words of fiction in my life, let alone in four weeks.

More exciting, I have developed a writing habit and now actually do write on a semi-regular basis. NaNoWriMo was not without its fallout (almost no blog posts). Given that the main reason that I started the blog was to force me to write on a regular basis, it seems like success!

* I revived Super Secret Spy Girl. She now has a Facebook page. You can go there and like/comment to receive your Super Secret Spy Name. Burn after reading.

To close, I am grateful for all my new friends and experiences. You each contributed to my year. Thank you so much.

Shall we continue on this road together?

3 Question View – Cynthia Cusick

*Please note: this 3QV features mature work and themes by a very talented artist. Please do not click through if this is something you do not wish to see or read*

This post is the seventh of a new series, highlighting talented artists whose work I admire.

I call it ‘3 Question View’ because it’s limited to three questions (Who would cross the Bridge of Death must answer me these questions three) and it’s a rather truncated inter-view, designed to elicit three compelling answers from each artistic mind.

Cynthia Cusick
3 Question View – Cynthia Cusick 
Sculptor and Ceramicist, www.cynthiacusick.com
Anna: 
You describe your work as introspective, with a focus on sexuality and maturity. As an art historian, I’ve been trained to see “girl parts” in every flower and fruit, so it’s relieving to see it as clearly intentional. Why do these themes inspire you? How has living in Manhattan and now Kentucky brought different influences to your work?

Cynthia:
Being raised Catholic initially helped shape my views on sexuality as something to be hidden, confined, and separated from the self. The lip service was, ‘Yes, sexuality is a natural thing.” The unspoken message was that it was dirty, to be shunned and private to the point of being completely denied. This conflicting message made sex and sexuality an uncomfortable experience for me. I learned to avoid any sexual references, intellectually and emotionally, personally and collectively. As I grew older, I finally reached a place in my life where I assumed I had everything figured out. Instead, my marriage fell apart; I initiated the process without realizing it. I was out there alone and became acutely aware that I knew nothing.  I avoided things of which I was fearful, that scared me or made me uncomfortable. So I made the choice to face head on all of my fears and ask, “Why does this scare me?”

Making tangible objects out of intangible fears makes my fears approachable. Being alone was the biggest fear of mine at the time but it forced me to reconcile myself without outside feedback and approval. Sexuality and sexual identity elicited an uncomfortable response within me; it made me intensely curious. In current American culture, we view it as a power element rather than what it truly is: a biological construct that exists everywhere. I combine sexual elements or references with ambiguous, natural elements as a reminder of our most natural part of ourselves, that keeps us connected to the rest of the world. Some of the reactions to the genitalia-like parts of my work are thoughtful, some are repulsed, some reactions are funny. All are part of the mix. I respond to the quirky, unexpected and humor aspect. Humor eases the discomfort and make the scary less scary. 
The Incidental Observer

The Incidental Observer (Detail)

Living in Manhattan for over 15 years allowed me an environment rich with diversity of culture and points of view, the importance of being true to yourself in a sea of humanity. When I came to Kentucky, I came to fulfill my childhood dreams in an environment that inspired me. NYC has some amazing green spaces and parks, but nature is experienced in a controlled setting. I love the uninhibited quality of my rural setting; it’s never quite clear who or what has the upper advantage. I love that sense of the unexpected. It keeps me focused on the moment at hand and my relationship with the natural world. I find a sense of humility in that paradox. 

Anna: 
One of my favorite series is “The 35 Symptoms”, an exploration of the common symptoms of Peri-Menopause. How did creating these works express your feelings about this transition in your life? How do you think your work has developed and matured?

Cynthia: 
The 35 Symptoms is a cathartic work for me. Knowing ahead of time as much information as possible gives me the illusion of having control over uncontrollable things. When I first made The 35 Symptoms, I placed the little icons around this womb-like sculpture. It made a nice presentation but became static for me – menopause frozen in a metaphor. This phase of peri-menopause, the 2-9 years before actual menopause (yes, that’s right, sometimes it’s nine years, folks!) is anything but static. And the process doesn’t just affect me, it affects those around me. I need to give some warning and acknowledgement to the most problematic symptoms so I’ve created a kind of a shrine to display them. I use this small stage to contemplate my most prominent symptoms of the day and, in doing so, the little icons help me keep perspective. They keep me aware of what’s going on within me, but with a sense of humor about the whole process. 
When I was younger, my art was paintings, drawings, photography, two-dimensional pieces that tended to focus on solitude, stillness and isolation. Now that I’ve moved into three-dimensional work, there is more literal and metaphorical depth. Because my work in clay and other sculptural media is relatively new, I have a ways to go to feel as if my work has matured. Yet my perspective is that of a mature woman so I think I am able to use my experience to reflect and ponder some deeper experiences and questions that confront us. 

Feeling of Doom
Disturbing Memory Loss, in situ, in Adaptation Exhibit

 

Anna: 
Now for a little whimsy – you create personality by putting little feet on most of your pottery mugs and cups, which are historically utilitarian. It’s endearing and yet simultaneously earthy and organic. How did you come up with the idea of foot-ing your drinking vessels? What about the idea of usable art appeals to you?

Cynthia:
Many terms in pottery are derived from the human body so it’s a natural extension to turn a utilitarian object into something more human-like. Terms used to describe parts of cups, bowls, and bottles are things like “foot,” “lip,” “belly,” “body,” “neck.” Moving from pure utility to personality feels natural. I find that I enjoy making functional work that behaves more like an evolved creature as opposed to making very traditional utilitarian work. My talent lies in the clumsy dent, the falling handle, the bowed-out edge and then seeing what that flaw inspires. Nature, itself, is not perfect. Nature contains many flaws, mistakes and bumps in the road but it has this wonderful capacity to adapt and evolve from those points into something even more exciting. 
I find my passion lies in seeing the form and then letting myself go back to being a kid again and using my imagination to ask: what does this look like to me? Is is a little monster? A queen? A slithery underground creature? A twisted plant? Carving, pinching and sculpting things I can still use for everyday functions transports me into those imaginary worlds and moments. For me, it makes drinking a cup of tea a much more expressive act.

Chubby Cup

You can order Cynthia’s work on Etsy: http://www.etsy.com/shop/teahorsestudio

Cynthia’s portfolio website: http://www.cynthiacusick.com

You can visit Cynthia’s blog, reflections on art and life: http://cynthiacusick.blogspot.com