A Tribute to My Muse

Tonight, I think of my Muse.

When I first saw her in the gallery, I was startled; she was so…throat-catchingly beautiful. I had seen photographs, but nothing had prepared me for the sight. It was like being struck. I was walking and I had to stop. I felt a tear slip down my cheek. She was me and yet not me. She was the me I wanted to be – serene, graceful, and entirely still…poised for the next moment.

I told myself for weeks that I couldn’t have her and grew more and more miserable as she continued to sell, moved to grace the homes and lives of others. So few and slipping away. I looked at the massive price on her and thought it a bargain, knew I would pay twice that (I, who could not afford once that).

Still, I didn’t allow myself even to hope. Every time I passed her in the gallery, I stroked a cool bronze cheek, traced the fine grooves of her hair. It became a running joke how I would hug her as I walked by. It was irresistible; I couldn’t help it. I was in love. I was Pygmalion, with a Galatea that did not have to become real to be loved, but who would very shortly not even be within sight.

And then only two weeks later, in Paris of all places (because all beautiful and solemn events happen in Paris), I am walking down the Boulevard de Picpus with my father on a sunny late June morning. We walk aimlessly, stroll past the boulangerie, the patisserie, fish and croissants and fruit so lush and gorgeous that you want to stop and take a picture of it. I spoke effusively of my Muse, for I already thought of her as “my” sculpture…for twenty minutes. When I finally paused to take a breath, my father turned to me and said, “Well, then I think you should get it.”

Words are words, but my father is good for his word. He did not buy it for me, nor would I have wanted him to do so. Instead, he helped me get the financing, allowed me to acquire her for my own. My parents have always encouraged me to believe in the impossible, to find ways to accomplish that which I never would think I could do.

Already, she inspires me. I think of her and become radiant.

Hurry, Muse.

 
Theatre
Frederick Hart
Bronze

The purpose of my art is to seek beauty and truth, and to explore and glorify the human being and the universe.
Frederick Hart
[Repost from 6/29/06 -ed]

Book Review:(S)mythology by Jeremy Tarr

Article first published as Book Review: (S)mythology by Jeremy Tarr, Illustrated by Katy Smail on Blogcritics.

(S)mythology bills itself as a contemporary fairy tale and that it is: a very whimsical, very adult fairy tale. This dark, yet touching tale stars Sophie, a dreamer and innocent naïf who searches for her ideal love. (S)mythology features a quirky cast of characters who both help and hinder Sophie in her classic Hero’s Quest, including Poseidon, a Guru, mermaids and all manner of fish and fowl, both fair and foul.

Many of the ideals of love are up-ended here. Sophie looks for love in the archetypal, bump-into-a-stranger on the street style and that is exactly how she meets Smyth, in a fateful rickshaw accident. They fall in love and wish to live happily ever after, except…Sophie is cursed. Anyone who loves her and looks upon her is turned to stone. She craves love and stability and a family, but she ends up with a collection of statues instead.

Like Orpheus, she goes into the Underworld to rescue Smyth. She fools Death once, but Death can only be fooled once. Without ruining anything I will tell you that people die and bad things happen to good people, as they do in real life (and in fairy tales). There are some sequences that are squeamish and not for the faint-of-heart, but the redemption of the story is worth enduring the dark bits.

One common theme in the book is eyes, and sight or seeing/not-seeing. Often, the blind characters see far more clearly than the seeing ones do. Sophie allows her ideals of love to get in the way of seeing the true love she actually possesses. But all ends up as it should, with lessons learned and an ending that is both delicate and sweet, like the last bit of summer’s ice cream melting away.

The website (http://www.smythology.co.uk/) is quite clever and deserves a visit on its own merits. You can read an excerpt from the book and visit the different locations (including Londontown and the Underworld).

The stylized and whimsical artwork by Katy Smail deserves its own special mention. This is a new breed of illustrated book, a novel with lots of pictures (64 illustrations in total). The illustrations capture the ups and downs of Sophie’s quest and blend with the story perfectly; it is a magnificent synergy of art and writing, one in which the one almost could not exist without the other.

I highly recommend (S)mythology for those who love the work of Tim Burton and Neil Gaiman’s Coraline and those with fairy tale sensibilities, those who know that when life intervenes to prevent the ideal, it sometimes offers a happy ending anyway.

Published by The Big Head.
http://www.smythology.co.uk/

Red, Red, Rose

John William Waterhouse, The Soul of the Rose

Red, Red Rose
by Robert Burns

O my Luve’s like a red, red rose,
That’s newly sprung in June:
O my Luve’s like the melodie,
That’s sweetly play’d in tune.


As fair art thou, my bonie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
And I will luve thee still, my dear,
While the sands o’ life shall run.

And fare-thee-weel, my only Luve!
And fare-thee-weel, a while!
And I will come again, my Luve,
Tho’ ’twere ten thousand mile!